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WDSU 75 Years: The heart of the story from the hearts of our journalists

"For first time in my life I felt like a real public servant": How stories of change changed the lives of WDSU journalists over the decades.

WDSU 75 Years: The heart of the story from the hearts of our journalists

"For first time in my life I felt like a real public servant": How stories of change changed the lives of WDSU journalists over the decades.

BITE. YOU KNOW, I’M HERE TO I’M HERE FOR YOUR STORY. WE WANT TO KNOW HOW THIS STUFF IS IMPACTING THE PEOPLE THAT LIVE HERE. YOU KNOW, WE WANT THAT STORY NOW. WE’RE GOING TO GET THAT. WE’RE IN THE FIRST AMENDMENT. THAT’S RIGHT. WE’RE PART OF THE FOURTH ESTATE. SO THAT’S THAT’S THAT’S AN IMPORTANT RESPONSIBILITY. WELL, IT HAS BEEN OUR COMMITMENT FOR 75 YEARS NOW, NOT JUST TO BRING YOU THE STORIES THAT MATTER, BUT SHARING YOUR STRUGGLES AND THE TALENTED JOURNALIST IN FRONT OF AND BEHIND THE CAMERA WERE YOUR EYES AND EARS THROUGH IT ALL. WDSU ANCHOR RANDI RANDI TAKES YOU BEHIND THE LENS TONIGHT. WATCH OUT FOR THE H. WATCH THE H ON THE SCREEN. THIS MAY BE THE AREA THAT THEY’RE GOING TO FIRE INTO. JANUARY 7TH, 19, 1973, A SNIPER PERCHED ATOP THE HOWARD JOHNSON HOTEL IN NEW ORLEANS, THE SITE OF A SHOOTING RAMPAGE CAPTIVATING THE COUNTRY AS THE REAL LIFE TERROR SCENE UNFOLDED. ANI BOURGEOIS WAS AT WORK BEHIND THE SCENES AT WDSU, GETTING THAT FILM FROM CAMERAS AND TO TELEVISION SETS. THEY NEEDED A PHOTOGRAPHER, AND PARTICULARLY THEY DIDN’T THEY DIDN’T HAVE ANY BLACK PHOTOGRAPHERS. I WAS YOU KNOW, I WAS A RARITY. I WAS AN ANOMALY. THE VIETNAM VETERAN HAD SERVED IN THE AIR FORCE. AND WHEN HE JOINED THE RANKS AT WDSU, LEANED ON HIS REAL LIFE COMBAT EXPERIENCE, STARTING IN ENGINEERING TO QUICKLY NAVIGATING NEIGHBORHOODS AS A PHOTOGRAPHER. ONE OF THE THINGS THAT GOT MY ATTENTION AND I WAS INVOLVED IN IT ALMOST GOT ME KILLED. THE DRUG WARS, JUST TRYING TO STOP THAT INSANITY WITH THE CRACK COCAINE CAME INTO EXISTENCE. GROWING UP IN THE CARROLLTON NEIGHBORHOOD, BOURGEOIS SAW BOTH PERSONALLY AND PROFESSIONALLY HOW DRUGS WERE IMPACTING THE COMMUNITY THAT HE SERVED AT. 71% OF THE MURDERS IN NEW ORLEANS THIS YEAR HAVE BEEN DRUG RELATED. WE WERE COVERING DRUG DEALERS, YOU KNOW, WE WERE DOING THE STORIES, AND WE WERE A LITTLE CUCKOO. BUT WE WOULD GO IN THE AREAS, YOU KNOW, THEY WEREN’T REPORTERS WOULDN’T GO. NOW, I WORKED WITH IRIS KELSO. SHE DID THE POLITICS AND SHE WAS REALLY GOOD. SHE IRIS WAS JUST GOOD WITH CONNECTING WITH PEOPLE, PARTICULARLY IN THE BLACK COMMUNITY, BECAUSE PEOPLE WOULD, YOU KNOW, THEY TRUSTED HER, SO THEY WOULD BRING HER, YOU KNOW, GIVE HER STORIES. THE ANI BOURGEOIS DOMINIC MARTIN, HUB VIGOUROUX. JAY RATTO THEY KNEW MORE OF THE PEOPLE IN THE CITY THAN A LOT OF THE REPORTERS DID WHEN HEATH ALLEN BEGAN HIS RUN AT WDSU IN THE EARLY 90S. THE CRIME WAVE WAS GRIPPING NEW ORLEANS. THOSE YEARS. YOU KNOW, PEOPLE TALK ABOUT HOW THERE’S VIOLENCE IN THE CITY OF NEW ORLEANS. THOSE WERE THE YEARS WHEN WE WERE THE MURDER CAPITAL OF AMERICA. THOSE WERE THE YEARS WHEN THERE WAS 400 MURDERS IN THE CITY OF NEW ORLEANS. BUT THERE WERE TIMES I REMEMBER COMING BACK WITH A BULLET HOLE IN THE CAR AND WE DIDN’T EVEN KNOW THAT WE’D BEEN BEEN SHOT AT. THERE WAS GROWING CONCERN FROM BOTH OUTSIDE AND WITHIN THE NEW ORLEANS POLICE DEPARTMENT. THEY BROUGHT IN RICHARD PENNINGTON, THE CHIEF WHO CAME IN AND AND KIND OF TURNED THINGS AROUND AT THAT POINT. BUT EVERYBODY WAS CONCERNED ABOUT THE FUTURE OF THIS CITY AT THAT POINT BECAUSE IT WAS NOT SAFE TO WALK THE STREETS. AND YOU HAD A LOT OF CORRUPTION IN THE POLICE DEPARTMENT. HOWEVER, ONE OF THE MOST PIVOTAL MOMENTS FOR OUR REPORTERS AND PHOTOGRAPHERS, HURRICANE KATRINA, IT WAS LIKE A BRAND. IT’S LIKE A MARK. YOU CAN’T GET RID OF IT. IT’S GOING TO BE WITH YOU FOREVER. TOM, LET’S GET THE HECK OUT OF HERE. HEATH ALLEN AND PHOTOJOURNALIST TOM FITZGERALD RODE OUT THE STORM AS FLOODWATERS INUNDATED SAINT BERNARD PARISH. THE PAIR MISSING FOR DAYS. TOM FITZGERALD AND I DID KATRINA TOGETHER THROUGH THE WHOLE THING. THAT’S A MAN THAT NEVER COMPLAINED. AND HE WAS THE POINT OF THE TIP INTO THE SPEAR AND JUST DID THIS INCREDIBLE PHOTOGRAPHY UNDER THE WORST CIRCUMSTANCES. OUR CAR WAS GOING UNDERWATER AND TOM REALIZED HE LEFT ALL HIS TAPE IN THE CAR. TOM SAID. IN THE MIDDLE OF THE STORM, WINDS BLOWING EVERYWHERE. WATER IS RISING THREE FEET DEEP. EVERYWHERE HE GOES, I GOT TO GO MOVE THE CAR. WOW. I GOT TO GO. MOVE! DON’T. DON’T MOVE. THE CAR. IT WAS FLOATING AWAY. HE GOT IN THE BACK OF THE CAR AND GRABBED A BOX OF TAPE. OR THEY WOULD NOT BE A PICTURE OF KATRINA. THE STATION STAYED ON THE AIR CONTINUOUSLY USING HEARST SISTER STATIONS AS HUBS TO GET INFORMATION OUT TO PEOPLE WHO EVACUATED AND THEIR FAMILIES. IT TESTED US AS HUMAN BEINGS AND IT TESTED US AS JOURNALISTS. IT TESTED OUR COURAGE. IT TESTED OUR DETERMINATION, OUR DETERMINATION TO STICK WITH IT, BECAUSE, AS YOU KNOW, WE HAD A SENSE THAT THIS IS THE END OF THE WORLD FOR US. NOTABLE FACES LIKE NORMAN ROBINSON NOT ONLY TELLING THE STORY, BUT LIVING IT IN THE MONTHS AND YEARS TO FOLLOW. AS JOURNALISTS, WE STARTED DEMANDING ANSWERS. REMEMBER, WE WERE THE PEOPLE’S CHAMPIONS. FOR THE FIRST TIME IN MY LIFE, I THINK I FELT LIKE A REAL PUBLIC SERVANT FROM THE FLOODWATERS IN THE HOT SEAT WAS BORN, THE STATION WOULD GO ON TO COVER OTHER NATURAL DISASTERS LIKE THE EARTHQUAKE IN HAITI. THIS TENT CITY IS ONE OF HUNDREDS JUST LIKE IT RIGHT IN THE MIDDLE OF PORT AU PRINCE. CITIZENS, SOLDIERS, THE LAST LOUISIANA NATIONAL GUARD UNIT AND MAN MADE CONFLICTS AS WE FOLLOWED OUR LOCAL TROOPS OVERSEAS, WE WENT THERE AND WE TALKED TO TALKED TO SOLDIERS WHO WERE ON THE GROUND IN THE MOUNTAINS OF AFGHANISTAN. AND WE CAME BACK AND TALKED TO THEIR FAMILIES. THE IMPACT OF WHEN A MAN OR WOMAN IS SERVING OVER HERE, THE WHOLE FAMILY DEPLOYS THE HEART OF THE STORY, TOLD THROUGH THE HEART OF OUR JOURNALISTS. GETTING TO THE HEART OF LOUISIANA. YOU’RE LOOKING TERRIFIC. I CAN’T HELP THAT. TAKE IT TO ME THAT IS THE THE DUTY OF THE BUSINESS THAT YOU’RE IN. I WAS IN IS TO COMMUNICATE THAT TO THE PEOPLE, HOW WE’RE ALIKE AND NOT HOW DIFFERENT WE ARE. THIS PLACE HAS A FOOTPRINT. YOU CAN’T MEASURE. BUT YOU KNOW WHAT? THE NATIONAL IMPACT STARTS ONE PERSON AT A TIME. ONE PERSON AT A TIME. THAT’S HOW THE IMPACT BEGINS. AND THAT’S WHY THIS STATION HAS ALWAYS BEEN SUCCESSFUL. RANDI RANDI, WDSU NEWS. ANOTHER ONE OF THOSE MOMENTS. THESE MEN WERE ACTIVELY A PART OF WAS OUR CHILDREN’S MIRACLE NETWORK TELETHONS. FOR YEARS, WDSU PARTNERED WITH CHILDREN’S TO RAISE HUNDREDS OF THOUSANDS OF DOLLARS TO HELP PEDIATRIC PATIENTS AND THEIR FAMILY, AS THERE ARE, SAY, MILLIONS OF DOLLARS. HEATH ALLEN ALSO HAS A ROOM THERE DEDICATED IN HIS HONOR FOR ALL OF THE PERSONA
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WDSU 75 Years: The heart of the story from the hearts of our journalists

"For first time in my life I felt like a real public servant": How stories of change changed the lives of WDSU journalists over the decades.

For 75 years, people have been the passion of journalists at WDSU, telling your stories and making sure the voices of everyday people are heard. Many even put themselves in harms way to do it. Photojournalist Arnie Bourgeois remembers the Howard Johnson Shooting vividly. A sniper, Mark Essex, was perched atop the downtown New Orleans hotel, shooting and killing nine people before he was killed by police. Bourgeois, who had just joined the ranks of WDSU after leaving the combat zone in Vietnam, was tasked with making sure those images from our camera made it into your home. "They needed a photographer. Particularly, they didn’t have any Black photographers. I was a rarity. I was an anomaly," said Bourgeois. He started in the engineering department and quickly got behind the camera. The war veteran had served in Air Force and leaned on his real-life combat experience to navigate the neighborhoods in New Orleans. "One of the things that got my attention and I was involved in, and it almost got me killed, was the drug wars," said Bourgeois. "Just trying to stop that insanity with the crank cocaine came into existence."Growing up in the Carrollton neighborhood, Bourgeois saw both personally and professionally how drugs were impacting his community. "We were covering drug dealers, and we were a little coo-coo going into areas where reporters wouldn’t go," said Bourgeois. "I worked with Iris Kelso. Iris was just good with connecting with people in the Black community and they would bring her the story. She related to their experiences and she would run them." Heath Allen, who started his run in WDSU in the early 1990s, relied on the photographer's knowledge to pinpoint the big local story. "The Arnie Bougeouis', the Dominic Martins, the Hubie Vigreuxs, they knew more about the people in the city than a lot of the reporters did," said Allen. It was also a challenging time with a crime wave gripping New Orleans. "Those were the years when we were the murder capital of America. Those are those were the years where there were 400 murders in the city," said Allen. "I remember coming back with a bullet hole in the car, and we didn’t even know that we have been shot at." "They brought in Richard Pennington, the chief, who came in and kind of turn things around at that point. But everybody was concerned about the future of the city at that point because it was not safe to walk the streets," said Allen. However, one of the most pivotal moments for our reporters and photographers was Hurricane Katrina. "It’s like a brand. It’s like a mark. You can’t get rid of it. It’s going to be with you forever," said Allen. He and photojournalist Tom Fitzgerald rode out the storm as the floodwaters inundated St. Bernard Parish. The pair was missing for days. "Tom Fitzgerald and I did Katrina together. And through the whole thing, he's a man who never complained. He was the point. He was the tip end of the spear. He was incredible, and he just did this incredible photography under the worst circumstances," said Allen. "Our car was underwater, and Tom realize that he left all of his tapes in the car. Tom said, in the middle of the storm, winds are blowing, water is rising three feet deep everywhere and he said, 'I gotta go move the car. I gotta go move the car.' I said, 'What are you doing? Don’t move the! Where are you going move it to? Stay away from the car.' I looked the other way and he’s gone. He literally got in the car while it was floating away. It was floating away. He got in the back of the car and grabbed a box of tapes or they would not be a picture of Katrina."WDSU stayed on the air continuously, even using our Hearst sister stations as hubs to get information out to people who evacuated and their families. "It tested us. It tested us as human beings, as journalists. It tested our courage," said former anchor Norman Robinson. "It tested our determination to stay with us because we had a sense this was the end of the world for us."Notable faces like Robinson were not only telling the story but living it in the months and years to follow. "As journalists, we started demanding answers, remember? We were the people's champions for the first time in my life. I felt like a real public servant," said Robinson. From the floodwaters, the WDSU Hot Seat was born. The station would go on to cover other natural disasters like the earthquake in Haiti and manmade conflicts as we followed our local troops overseas. "We went there and talked to soldiers who were on the ground in the mountains of Afghanistan, and then we came back and talk to their families," said Allen. "The impact of when a man or woman in a serving over here at the whole family deploys."The heart of the story is from the hearts of our journalists, getting to the hearts of Louisiana. "To me, that is a duty to the business you were in, that I am in," said Bourgeois. "To communicate that to the community, to the people how we are alike and not how different we are.""This place has a footprint you can’t measure," said Allen. "But the national impact starts one person at a time. One percent of the time, that’s how the impact begins, and that’s why does station has always been successful."

For 75 years, people have been the passion of journalists at WDSU, telling your stories and making sure the voices of everyday people are heard. Many even put themselves in harms way to do it.

Photojournalist Arnie Bourgeois remembers the Howard Johnson Shooting vividly. A sniper, Mark Essex, was perched atop the downtown New Orleans hotel, shooting and killing nine people before he was killed by police. Bourgeois, who had just joined the ranks of WDSU after leaving the combat zone in Vietnam, was tasked with making sure those images from our camera made it into your home.

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"They needed a photographer. Particularly, they didn’t have any Black photographers. I was a rarity. I was an anomaly," said Bourgeois.

He started in the engineering department and quickly got behind the camera. The war veteran had served in Air Force and leaned on his real-life combat experience to navigate the neighborhoods in New Orleans.

"One of the things that got my attention and I was involved in, and it almost got me killed, was the drug wars," said Bourgeois. "Just trying to stop that insanity with the crank cocaine came into existence."

Growing up in the Carrollton neighborhood, Bourgeois saw both personally and professionally how drugs were impacting his community.

"We were covering drug dealers, and we were a little coo-coo going into areas where reporters wouldn’t go," said Bourgeois. "I worked with Iris Kelso. Iris was just good with connecting with people in the Black community and they would bring her the story. She related to their experiences and she would run them."

Heath Allen, who started his run in WDSU in the early 1990s, relied on the photographer's knowledge to pinpoint the big local story.

"The Arnie Bougeouis', the Dominic Martins, the Hubie Vigreuxs, they knew more about the people in the city than a lot of the reporters did," said Allen.

It was also a challenging time with a crime wave gripping New Orleans.

"Those were the years when we were the murder capital of America. Those are those were the years where there were 400 murders in the city," said Allen. "I remember coming back with a bullet hole in the car, and we didn’t even know that we have been shot at."

"They brought in Richard Pennington, the chief, who came in and kind of turn things around at that point. But everybody was concerned about the future of the city at that point because it was not safe to walk the streets," said Allen.

However, one of the most pivotal moments for our reporters and photographers was Hurricane Katrina.

"It’s like a brand. It’s like a mark. You can’t get rid of it. It’s going to be with you forever," said Allen.

He and photojournalist Tom Fitzgerald rode out the storm as the floodwaters inundated St. Bernard Parish. The pair was missing for days.

"Tom Fitzgerald and I did Katrina together. And through the whole thing, he's a man who never complained. He was the point. He was the tip end of the spear. He was incredible, and he just did this incredible photography under the worst circumstances," said Allen. "Our car was underwater, and Tom realize that he left all of his tapes in the car. Tom said, in the middle of the storm, winds are blowing, water is rising three feet deep everywhere and he said, 'I gotta go move the car. I gotta go move the car.' I said, 'What are you doing? Don’t move the! Where are you going move it to? Stay away from the car.' I looked the other way and he’s gone. He literally got in the car while it was floating away. It was floating away. He got in the back of the car and grabbed a box of tapes or they would not be a picture of Katrina."

WDSU stayed on the air continuously, even using our Hearst sister stations as hubs to get information out to people who evacuated and their families.

"It tested us. It tested us as human beings, as journalists. It tested our courage," said former anchor Norman Robinson. "It tested our determination to stay with us because we had a sense this was the end of the world for us."

Notable faces like Robinson were not only telling the story but living it in the months and years to follow.

"As journalists, we started demanding answers, remember? We were the people's champions for the first time in my life. I felt like a real public servant," said Robinson.

From the floodwaters, the WDSU Hot Seat was born.

The station would go on to cover other natural disasters like the earthquake in Haiti and manmade conflicts as we followed our local troops overseas.

"We went there and talked to soldiers who were on the ground in the mountains of Afghanistan, and then we came back and talk to their families," said Allen. "The impact of when a man or woman in a serving over here at the whole family deploys."

The heart of the story is from the hearts of our journalists, getting to the hearts of Louisiana.

"To me, that is a duty to the business you were in, that I am in," said Bourgeois. "To communicate that to the community, to the people how we are alike and not how different we are."

"This place has a footprint you can’t measure," said Allen. "But the national impact starts one person at a time. One percent of the time, that’s how the impact begins, and that’s why does station has always been successful."